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Illustrated books --- Illustration of books --- Early printed books --- Rare books --- Livres illustrés --- Illustration des livres --- Livres anciens --- Livres rares --- Exhibition --- Exhibitions. --- Exhibitions --- Expositions --- Bonna, Jean --- Library --- 76:655.5 <064> --- 82:7 "18/19" --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Tentoonstellingscatalogi. Museumcatalogi --- Literatuur en kunst--Hedendaagse Tijd --- 82:7 "18/19" Literatuur en kunst--Hedendaagse Tijd --- 76:655.5 <064> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Tentoonstellingscatalogi. Museumcatalogi --- Livres illustrés
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Thiry, Leonard --- Fantuzzi, Antonio --- Bellange, Jacques --- Graphic arts --- anno 1600-1699 --- anno 1500-1599 --- France --- grafiek --- Bellange, Jacques.
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This publication includes three studies on Reverdin's biography, as well as the aesthetic issues of his drawings and the engravings that were made from them. It reveals Reverdin, beyond his career as a teacher, as an author who gave to the art of copying the value of originals.
Graphic arts --- Reverdin, Gédéon --- 76 <44> "18" --- 76 <494> "18" --- 7.026 --- 76 <494> "18" Grafische kunsten. Grafiek. Prentkunst--Zwitserland--19e eeuw. Periode 1800-1899 --- Grafische kunsten. Grafiek. Prentkunst--Zwitserland--19e eeuw. Periode 1800-1899 --- 76 <44> "18" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--19e eeuw. Periode 1800-1899 --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--19e eeuw. Periode 1800-1899 --- 7.026 Kunstwerken: copiëren; reproduceren; facsimile's --- Kunstwerken: copiëren; reproduceren; facsimile's --- Exhibitions
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Over the past two decades, geopolitical borders have shifted and new technologies have forged channels of communication around the world. The Western art world has become part of a much broader field, opening itself to new continents and allowing for a significant crosspollination of post-Conceptual strategies and vernacular modes. Printed materials, in both innovative and traditional forms, have played a key role in the exchange of ideas and sources. Print/Out, published in conjunction with an exhibition at The Museum of Modern Art, examines the evolution of artistic practices related to printmaking, from a recent resurgence of traditional printing techniques — often used alongside digital technologies — to the proliferation of self-published artists' projects. Print/Out features focused sections on ten artists and publishers — Ai Weiwei, Ellen Gallagher, Martin Kippenberger, Lucy McKenzie, Aleksandra Mir, museum in progress, Edition Jacob Samuel, SUPERFLEX, Robert Rauschenberg, and Rirkrit Tiravanija — as well as rich illustrations of printed projects from the last twenty years by major artists such as Trisha Donnelly, Felix Gonzalez-Torres, Thomas Schütte, and Kelley Walker.
printmaking --- prentkunst --- hedendaagse kunst --- Graphic arts --- grafische vormgeving --- Contemporary [style of art] --- drukkunst --- graphic design --- anno 2000-2009 --- anno 1990-1999 --- Prints --- Multiple art --- Estampe --- Multiples (Art) --- Exhibitions. --- Expositions --- Museum of Modern Art (New York, N.Y.) --- 76.039 --- 7.05 --- Grafiek ; 21ste eeuw ; 1995-2012 --- Tentoonstellingscatalogi ; New York ; MOMA --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- grafiek --- Abramovic Marina --- Weiwei Ai --- Burden Chris --- Donnelly Trisha --- Dunham Carroll --- Samuel Jacob --- Gallagher Ellen --- General idea --- Gillick Liam --- Gonzalez-Torres Felix --- Hirst Damien --- Kippenberger Martin --- Kuitca Guillermo --- Marclay Christian --- Martinez Daniel Joseph --- Mckenzie Lucy --- Mehretu Julie --- Mir Aleksandra --- Mullican Matt --- Museum in progress --- Nara Yoshimoto --- Pardo Jorge --- Parreno Philippe --- Permanent food --- Rauschenberg Robert --- Schütte Thomas --- Siena James --- Slavs and Tatars --- Smith Josh --- Superflex --- Tiravanija Rirkrit --- Tobias Gert --- Tobias Uwe --- Walker Cara --- Walsh Dan --- West Franz --- White Pae --- Wool Christopher --- Xu Bing --- Yuskavage Lisa --- 76.036/039 --- Grafische kunst ; 2000 - 2050 --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- Exhibitions --- prints [visual works] --- MAD-faculty 14 --- hedendaagse schilderkunst --- hedendaagse tekenkunst
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Art --- Huber, Pierre --- anno 2000-2009 --- anno 1900-1999 --- verzameling Pierre Huber (Zürich) --- hedendaagse kunst --- 20ste eeuw --- verzameling Pierre Huber (Zürich). --- hedendaagse kunst. --- Huber, Pierre. --- 20ste eeuw.
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Cet ouvrage rassemble les essais avec lesquels Clive Phillpot cherche depuis 1972 à définir la nature et à retracer les origines et les développements du livre d'artiste, objet singulier produit par un artiste qui utilise des méthodes de production en série, en quantité (virtuellement) illimitée, pour documenter ou produire des idées ou des œuvres artistiques. Ancien bibliothécaire à la Chelsea School of Art de Londres, Phillpot est devenu directeur de la bibliothèque du MoMa de New York en 1977. Il y a développé le département des livres d'artistes et a cartographié l'ensemble de la production mondiale du genre. Collaborant par ailleurs avec des structures spécialisées dans le médium du livre telles que Printed Matter ou Franklin Furnace, Phillpot a largement contribué à la reconnaissance de ce support, y compris d'un point de vue institutionnel, ayant favorisé son entrée dans les musées. Introduit par une conversation entre l'auteur, Lionel Bovier et Christophe Cherix, rassemblant pour la première fois les textes écrits par Clive Phillpot de 1972 à 2010 (manifestes historiques, notices de catalogues, essais sur des livres devenus légendaires de Sol LeWitt, Ed Ruscha, Dieter Roth, Richard Long, etc.), Booktrek s'impose comme une référence pour quiconque s'intéresse à l'évolution des livres d'artistes et de leur statut si particulier au sein du monde de l'art.
Graphics industry --- Artists' books. --- 7.05 --- 7.01 --- Essays ; 1972-2010 ; Cl. Phillpot over artists' books --- Artists Books --- Livres d'artistes --- Bibliofilie --- Artist books --- Book art --- Book works (Art) --- Books, Artists' --- Bookworks (Art) --- Art, Modern --- Books --- Conceptual art --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- Kunst ; theorie, filosofie, esthetica --- Livre d'artiste --- Ecrit d'artiste --- Edition --- Artists' books --- kunsttheorie --- 7.038/039 --- eenentwintigste eeuw --- twintigste eeuw --- artists' books --- kunstenaarsboeken --- kunst
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The life of Basel-based artist Hanspeter Hofmann (*1960) seems to be a romantic artist's biography: trained as a natural scientist, he turned to quasi-alchemical experimentations as processes of form-finding, and to printing techniques for grounding his pictorial work. Seen from an another angle, Hofmann also refers to the visual clichés of the consumer culture industry as they are represented in mass media, and recontextualizes its icons at the profit of an artwork's aura. "Bonheur automatique" makes this contiguity of meaning and work in Hofmann's artistic strategy evident. Both an artist's book and a catalogue raisonné of his prints, the publication on the one hand recreates on the offset plates the construction of images in his works and, on the other hand, documents the development of bodies of works and themes. (http://www.jrp-ringier.com/)
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Art --- Duvet, Jean --- Musée d'art et d'histoire [Geneva] --- prints [visual works] --- Catalogs --- Engraving [French] --- Engraving --- 16th century --- France --- Apocalyptic art --- Duvet, Jean.
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Drawing --- art [fine art] --- scripts [writing] --- Iconography --- Art --- Lawler, Louise --- Klein, Martina --- Baudevin, Francis --- Tremblay, John --- Gonzalez-Torres, Felix --- Morris, Robert --- Walsh, Daniel --- Rule, Nicolas --- Wool, Christopher --- anno 1900-1999 --- prints [visual works] --- Exhibitions --- Art [Modern ] --- 20th century --- Gonzales-Torres, Felix --- Walsh, Dan --- art [discipline]
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